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The patches themselves are nothing short of exemplary. Right-click presets to classify them as 'Favourite' or 'Junk' Junk patches will disappear until you decide to bring them back. Of special note is the MIDI Programs folder, into which you can load 128 patches for calling up via MIDI Program Change messages. There's also a third-party collection and a huge directory dubbed Treasure Trove. Categories include Bass, Lead, Poly Synth, Dream Synth, Rhythmic and Effects.
#U he diva free download mac Patch#
First there's the patch browser itself, which opens to occupy almost the whole GUI. Scope provides a display of the audio signal, and Patches accesses the Patch browser.Įverything about Diva's preset library is excellent. Modification offers modulation control, and Trimmers hosts detune, cutoff, envelope 'slop' and other tweaks that impart some of that old analogue magic. Main provides tuning and master controls. The lower half of Diva's GUI features tabs to access further sections. We're glad he decided to share! Inner beauty It's a great idea that has its roots in Diva's origins as one of u-he head honcho Urs Heckmann's development tools. The latter features quantise 'stepping' as heard on the Oberheim Matrix 1000 and others.Īs you can see, Diva is a semimodular synth of sorts, enabling the user to mix and match disparate classic designs. Again, you can choose one of four designs: a Moog-style ladder filter, a cleaner cascade, a multimode design and the aggressive Bite filter.Įnvelope generators come in three flavours: Minimoog-style ADS, analogue ADSR and digital ADSR. There are two Dual VCOs, one an economy version and the other with such niceties as sync and cross-modulation. One - Triple VCO - is clearly patterned after the oscillator section of the Minimoog, while DCO is similar to that of the Roland Alpha Juno, offering a sub-oscillator and those fabulously rich waveforms. The oscillator section can comprise one of four designs. Mixed, matchedĭiva's structure is pretty standard. u-he says this is the first time such methods have been employed in real-time by a native soft synth. The algorithms u-he uses are tuned for audio, however: they run in real time, and the components have been carefully matched to produce the desired sound (u-he say that software such as PSpice, while giving correct results, is unable to precisely reproduce the sound of specific componentry). These use circuit simulation algorithms similar to those found in software such as PSpice (used by electrical engineers to design and simulate circuits at the component level). Wewere particularly impressed by how well Diva stacked up against a restored Model D Minimoog.Ī big part of this superior sound is down to Diva's incredible-sounding filters.
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We compared it withĪ room full of vintage analogue synths, and it held its own. The CPU overhead is justified by the sound, which leaves us breathless. We experienced crackles and dropouts when playing more than two or three notes of certain polyphonic patches in Divine mode on both machines, though the quad obviously fared a little better.
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We tested Diva on two machines: a quad-core i7 MacBook Pro and an older Core 2 Duo model.
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